1990-1999
Stokstad, Marilyn. Art History. New York: Harry N. Abrams, 1995.
Schwarz, Dieter. "Die Neueingänge des Kunstmuseums Winterthur 1993/94." Winterthurer Jahrbuch, 1995.
Les figures de la liberté: mille neuf cent quarante cinq. Exh. cat. Genève: Musées d'art et d'histoire, 1995.
Treasures of the Achenbach Foundation for Graphic Arts. Exh. cat. San Francisco: Fine Arts Museums of San Francisco, 1995.
Dumont, Beate. "Philip Guston." In Seventy Years of Woodstock Prints. Exh. cat. Woodstock: Woodstock Artists Association, 1995.
Craig-Martin, Michael. Drawing the Line: Reappraising Drawing Past and Present. Exh. cat. London: Hayward Gallery, 1995.
Severens, Martha R. Greenville County Museum of Art: the Southern Collection. New York: Hudson Hills Press, 1995.
Berriaren Tradizioa: Guggenheim Bildumako Maisu-Lanak, 1945-1990/ La Tradición de los Nuevo Obras Maestras de la Colección Guggenheim, 1945-1990. Exh. cat. Bilbao: Solomon R. Guggenheim Foundation, 1995.
The PaineWebber Art Collection. New York: Rizzoli International, 1995.
Patterson, Tom. "Exhibit at Reynolda House explores the development of modernism." Winston-Salem Journal, January 21, 1996, p. E4.
Kilian, Michael. "Bi-Coastal Debuts: Cartoons in Boca Raton, Contemporary Artt in San Diego." Chicago Tribune, March 10, 1996.
Morris, Daniel. "Necessary Wounds: Public History and Private Myth in Philip Guston's Late Work." Soundings: An Interdisciplinary Journal 79, no. 1/2 (1996): pp. 95–109.
Bremen/Business. "A Winter Full of Art: Three Major Exhibitions in Bremen." Cultural Highlights, April 1996
Schmidt-Missner, Jürgen. "Schwarmgeister und Zweifler, Vier Alterswerke: Arbeiten von Philip Guston, Pablo Picasso, Willem de Kooning und Joan Miro im Bremer Weserburg-Museum." Nurnberger Nchrichten, June/July 1996.
Delank, Claudia. "Spatwerke: Picasso, Guston, Miro, de Kooning in Bremen." neue bildende kunst: Zeitschrift für Kunst und Kritik, June 1996.
Kimmelman, Michael. "The Abstract Expressionist of Music." The New York Times, July 28, 1996, section 2 Arts & Leisure, p. 28.
Beßling, Rainer. "Spät, aber gewaltig: 'Picasso, Guston, de Kooning, Miro' im Neuen Museum Weserburg." Foyer, September 1996.
Grant, Daniel. "The tricky art of authentication Truth: Sometimes, only the artist or his or her family knows for sure whether a work is the real thing." Baltimore Sun, September 29, 1996. Online.
Kimmelman, Michael. "Philip Guston: Paintings from the 70s." The New York Times, October 11, 1996, p. C32.
Wolff, Detlef. "Die Freiräume der letzten Schaffensjahre." Weser Kurier (Bremen), October 19, 1996.
Griffin, Tim. "Philip Guston, Major Paintings from the Seventies." Time Out New York, October 24–31, 1996.
Komm, Sabine. "Maler brechen mit Sehgewohnheiten." Oldenburger Nordwest-Zeitung (Oldenburg, DE), October 25, 1996.
Bremer Anzeiger (Bremen). "In vollkommener Freiheit..., Ausstellung um Picasso, Guston, Miro und de Kooning im Neuem Museum Weserburg." October 26, 1996.
Kunst Aktuell. "Die Freiheit der späten Werke." November 1996.
