1930-2024
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Corbett, William. "A Confession." Agni 40 (1994): pp. 115–17.
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Morris, Daniel. "Necessary Wounds: Public History and Private Myth in Philip Guston's Late Work." Soundings: An Interdisciplinary Journal 79, no. 1/2 (1996): pp. 95–109.
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Cooper, Harry. "Recognizing Guston (In Four Slips)." October 99 (2002): pp. 96–129.
Condo, George. "The Undiscovered Familiar, The Art of George Condo." Interview by Robert Enright. Border Crossing, May 2003.
Binkowski, Kraig. "Philip Guston Retrospective." Library Journal, June 1, 2003.
Lawrence, James. "Philip Guston. Fort Worth and New York." Burlington Magazine 145, no. 1207 (2003): pp. 746–48.
Slifkin, Robert S. "Dark Unfathomed Retrospect." Art Journal 62, no. 4 (2003): pp. 105–08.
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Heller, Michael. "Philip Guston." Chicago Review 49, no. 3–4 (2004), pp. 402-405.
Mayer, Musa. "Philip Guston and the Privilege of Writing Badly." Columbia: A Journal of Literature and Art, no. 40 (2004): pp.173–76.
Zaller, Robert. "The Abandoned Studio: Philip Guston's Gnostic Testament." Boulevard 20, no. 2-3 (2005): pp. 100–18.
McCormack, Ed. "Guston by the Book: Solipsistic Riffs, Gonzo Recollections, and Reprobate Ruminations on Art, Aging, and Late-Life Rebirth." Gallery & Studio, June–August 2006, pp. 14–18.
Levy, John. "Philip Guston: "Abandon Yourself to the Unknown of Doing". First Intensity: A Magazine of New Writing 21, Fall 2006, pp. 78–197.
Landau, Ellen G. "Double Consciousness in Mexico: How Philip Guston and Reuben Kadish Painted a Morelian Mural." American Art 21, no. 1 (2007): pp. 74–97.
Allen, Tom. "The Soothsayer's Recompense." X-TRA 9, no. 4, (2007).
