Painters' Painters: Milton Avery, Philip Guston, Giorgio Morandi. Exh. cat. Columbus: University Gallery of Fine Art, The Ohio State University, 1984.
Cummings, Paul. Twentieth-Century American Drawings: The Figure in Context. Exh. cat. Washington D.C.: International Exhibitions Foundation, 1984.
The Richard and Jane Lang Collection. Exh. cat. Seattle: Seattle Art Museum, 1984.
The Charles and Laura Dwan Collection. Exh. cat. Greensboro: Weatherspoon Art Museum, University of North Carolina at Greensboro, 1984.
Robins, Corinne. The Pluralist Era: 1968–1981. New York: Harper & Row Publishers, 1984.
Fine, Ruth E. Gemini G.E.L.: Art and Collaboration. New York: Abbeville Press, 1984.
American Art Since 1970: Painting, Sculpture, and Drawings from the Collection of the Whitney Museum of American Art, New York. Exh. cat. New York: Whitney Museum of American Art, 1984.
The Artist's Perception 1948/1984. Exh. cat. Poughkeepsie: Vassar College Art Gallery, 1984.
Andrew Wyeth: A Trojan Horse Modernist. Exh. cat. Greenville: Greenville County Museum of Art, 1984.
Master Drawings 1928–1984. Exh. cat. Houston: Janie C. Lee Gallery, 1984.
Knight, Gregory. Contemporary Italian Masters: Sandro Chia, Francesco Clemente, Enzo Cucchi, Mario Merz, and Mimmo Paladino. Exh. cat. Essays by Henry Geldzahler and Judith Russi Kirschner. Chicago: Chicago Public Library Cultural Center, 1984.
XIX and XX Century Master Drawings and Watercolors. Exh. cat. New York: Acquavella Galleries, 1984.
The Meditative Surface. Exh. cat. Chicago: Renaissance Society at The University of Chicago, 1984.
van Grevenstein, Alexander, Edy de Wilde, and Karel Schampers. La Grande Parade. Hoogtepunten van de schilderkunst na 1940/Highlights in Painting After 1940. Exh. cat. Amsterdam: Stedelijk Museum, 1984.
Philip Guston: The Late Works. Exh. cat. Melbourne: The National Gallery of Victoria, 1984.