1988
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Schjeldahl, Peter. "Daddy Dearest." 7 Days, September 28, 1988, pp. 51-52.
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Vogue. "People...books." October 1988.
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Heartney, Eleanor. "Out of the Shadows." ARTnews, October 1988.
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Walsh, Robert. "Heavy Guston." Vanity Fair, October 1988.
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Baker, Kenneth. "A Giant Emerges." San Francisco Chronicle, October 2, 1988, pp. 1, 16, 17.
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Gopnik, Adam. "Cyclops." The New Yorker, October 3, 1988, pp. 95–100.
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Kilian, Michael. "Guston's Mute Figures Speak to Us." Chicago Tribune, October 6, 1988, section 5, p. 10.
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Flam, Jack. "The Gallery: Philip Guston." Wall Street Journal, October 5, 1988.
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Sozanski, Edward J. "2 Exhibits Show Provocative Side of Philip Guston." Philadelphia Inquirer, October 19, 1988, p. 5-E.
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Corbett, William. "Daddy Dearest." Letters, New Criterion, November 1988, p. 78.
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Feld, Ross. "Guston in Time." Arts Magazine, November 1988, pp. 40-45.
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Welish, Marjorie. "I Confess: The Drawings of Philip Guston." Arts Magazine, November 1988, pp. 46–50.
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Corbett, William. "'What a Miracle Images Are!'" Arts Magazine, November 1988, pp. 51–54.
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Greene, Alison de Lima. "The Artist as Performer: Philip Guston's Early Work." Arts Magazine, November 1988, pp. 55–61.
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Ashton, Dore. "That Is Not What I Meant at All: Why Philip Guston Is Not Postmodern." Arts Magazine, November 1988, pp. 67–71.
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Rand, Archie. "The Victory of the Futile." Arts Magazine, November 1988, pp. 62-66.
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Plagens, Peter. "Eyewitness: Night Studio: A Memoir of Philip Guston." Art in America, December 1988, p. 23.
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Heartney, Eleanor. "The Drawings of Philip Guston." ARTnews, December 1988, p. 143.
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Perkins, Michael. "Deconstructing Dad: Philip Guston's Daughter Reconciles the Man with the Myth." Woodstock Times, December 1, 1988, section Times 2, pp. 1, 6.
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Perkins, Michael. "Departed Daemons: Musa Mayer Revists the Night Studio." Woodstock Times, December 1, 1988, section Times 2, pp. 1, 7.
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Storr, Robert. "Remembering Philip Guston." Letters, New Criterion, December 1988, p. 79.
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Brach, Paul. "Life with the Artist." Journal of Art, 1, December 1988.
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Johnston, Jill. "Living on Borrowed Importance." The New York Times Book Review, December 18, 1988.
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Stationen der Moderne. Die bedeutenden Kunstausstellungen des 20. Jahrhunderts in Deutschland. Exh. cat. Berlin: Berlinische Galerie, Museum für Moderne Kunst, Photographie und Architektur, 1988.