1990-1999
Imber, Jon. "Philip Guston: Teacher, Mentor, and Friend." Art New England, December 1994–January 1995, p. 33.
Stapen, Nancy. "Philip Guston, Boston University Art Gallery." ARTnews, December 1994, p. 145.
Martis, Adi. "Philip Guston: de lotgevallen van een zonderling schilder." Kunstschrift, 1994, pp. 24-28.
Midwest: An Art Journal. "Smokers Please: Artist Michael Stevenson Talks to Robert Leonard." 1994.
McGrath, Patrick. "Philip Guston: Head and Bottle, 1975." Artforum, February 1995.
The New Yorker. "Philip Guston (1913–1980)." May 15, 1995, p. 22.
Russ, Sabine. "Die Suche nac der Mitte." Aufbau, May 26, 1995.
Ottinger, Didier. "Acquisition d'un tableau de Philip Guston par le Musée des Sables d'Olonne." La Revue du Louvre, June 1995, pp. 73–75.
Pedersen, Victoria. "Gallery Go Round." Paper Magazine, Summer 1995.
Lewis, Joel. "Guston Gets Another Go." Forward, June 9, 1995. Print.
Newhall, Edith. "Retrospective: Soul Mates." New York, June 19, 1995, p. 103.
Ouest France. "Le musée des Sables expose Guston." July 1995.
Kalinsky, Nicola. "Exhibition Review: Drawing the Line." Burlington Magazine, July 1995.
Ernould-Gandouet, Marielle. "Philip Guston: Oeuvres sur papier 1975–1980." L'Oeil, July–August 1995.
Le Journal des Arts (Paris). "Philip Guston ou la modernite revistee." July–August, 1995.
The New Yorker. "Galleries--Downtown." July 10, 1995, pp. 14, 15.
Ehrlich, Susan. "Pacific Dreams, Currents of Surrealism & Fantasy." American Art Review, August–September 1995.
Carrier, David. "Spring Exhibitions. New York." Burlington Magazine, August 1995.
Pradel, Jean-Louis. "L'apocalypse triviale de Philip Guston." L'Événement du Jeudi, August 24–30, 1995.
Rubinstein, Raphael. "Ars poetica." Art in America, September 1995, pp. 100–3, 121.
Jover, Manuel. "L'art impur de Philip Guston." Beaux Arts Magazine, September 1995.
Laidet, Leslie. "Philip Guston: Oeuvres sur papier." Critique d'art, September 1995, p. 56.
ABC Comunidad Valenciana. "Philip Guston." September 1995.
Barnet, Andrea. "Parallel Sensibilities." The New York Times Book Review, September 3, 1995, p. 14.
