1990-1999
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Bullard, CeCe. "A Painter's Anguish and Anxiety." Richmond Times-Dispatch, October 26, 1994, section Art & Travel, p. D-3.
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Mercado, Estela Alcántara. "La ascensión del fascismo, tema de los murales de Guston, Kadish y Noguchi." Gaceta UNAM (Mexico City), November 17, 1994, p. 31.
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Baker, Kenneth. "SFMOMA Scoops Up Plenty of New Art." San Francisco Chronicle, December 8, 1994, section Datebook, pp. E1, E4.
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Jaeger, William. "Compelling Art: 'Acquisitions' Worthy of Visit to Williamstown." Times Union (Albany, NY), February 26, 1995, p. I-2.
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Baker, Kenneth. "California's Serene Brand of Surrealism: 'Pacific Dreams' at Oakland Museum." San Francisco Chronicle, March 18, 1995, pp. E1, E4.
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Curtis, Cathy. "O. C. Art Review: The Figures Are Hooded, but the Message Is Clear." Los Angeles Times, April 18, 1995, pp. F1, F3.
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Smith, Roberta. "A Philip Guston Decade Colored by Red and Pink." New York Times, April 28, 1995, section C, p. 32.
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Twine, Tinker. "A brush with idealism: In the '40s, local artists were armed with energy and enthusiasm." Woodstock Times, June 8, 1995, section Times 2, pp. 16-17.
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Dagen, Philippe. "Philip Guston aux Sables-d'Olonne: l'abstraction aller et retour." Le Monde (Paris), July 4, 1995.
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Cotter, Holland. "A Painter Who Collaborated with Poets." The New York Times, July 7, 1995, p. C12.
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Kilian, Michael. "Culture unplugged: Many U.S. artists found in smaller museums." Chicago Tribune, section 12, July 9, 1995, p. 9.
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Chabot, Marie-Gaëlle. "Guston reconnu aux Sables." Presse Océan (Nantes), July 24, 1995.
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Lebovici, Elisabeth. "Guston, dessins sur un champ de mines. De clous en débris, l'univers ubuesque du peintre américain mort en 1980. Philip Guston, oeuvres sur papier 1975-1980, musée de l'abbaye Sainte-Croix, rue de Verdun, 85000 Les Sables-d'Olonne, jusqu'au 30 septembre; catalogue." Liberation, August 17, 1995, section Critique.
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J., R. "L'étrangeté inquiétante des choses." Ouest France, August 18, 1995.
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Patterson, Tom. "Exhibit at Reynolda House explores the development of modernism." Winston-Salem Journal, January 21, 1996, p. E4.
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Kilian, Michael. "Bi-Coastal Debuts: Cartoons in Boca Raton, Contemporary Artt in San Diego." Chicago Tribune, March 10, 1996.
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Kimmelman, Michael. "The Abstract Expressionist of Music." The New York Times, July 28, 1996, section 2 Arts & Leisure, p. 28.
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Grant, Daniel. "The tricky art of authentication Truth: Sometimes, only the artist or his or her family knows for sure whether a work is the real thing." Baltimore Sun, September 29, 1996. Online.
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Kimmelman, Michael. "Philip Guston: Paintings from the 70s." The New York Times, October 11, 1996, p. C32.
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Wolff, Detlef. "Die Freiräume der letzten Schaffensjahre." Weser Kurier (Bremen), October 19, 1996.
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Komm, Sabine. "Maler brechen mit Sehgewohnheiten." Oldenburger Nordwest-Zeitung (Oldenburg, DE), October 25, 1996.
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Bremer Anzeiger (Bremen). "In vollkommener Freiheit..., Ausstellung um Picasso, Guston, Miro und de Kooning im Neuem Museum Weserburg." October 26, 1996.
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Beßling, Rainer. "Völlig frei und for Themselves." Kreiszeitung (Stuhr-Weyer, DE), November 6, 1996.
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Levin, Kim. "Art Short List: Philip Guston." Village Voice, November 12, 1996.