1990-1999

Bullard, CeCe. "A Painter's Anguish and Anxiety." Richmond Times-Dispatch, October 26, 1994, section Art & Travel, p. D-3.
Mercado, Estela Alcántara. "La ascensión del fascismo, tema de los murales de Guston, Kadish y Noguchi." Gaceta UNAM (Mexico City), November 17, 1994, p. 31.
Baker, Kenneth. "SFMOMA Scoops Up Plenty of New Art." San Francisco Chronicle, December 8, 1994, section Datebook, pp. E1, E4.
Jaeger, William. "Compelling Art: 'Acquisitions' Worthy of Visit to Williamstown." Times Union (Albany, NY), February 26, 1995, p. I-2.
Baker, Kenneth. "California's Serene Brand of Surrealism: 'Pacific Dreams' at Oakland Museum." San Francisco Chronicle, March 18, 1995, pp. E1, E4.
Curtis, Cathy. "O. C. Art Review: The Figures Are Hooded, but the Message Is Clear." Los Angeles Times, April 18, 1995, pp. F1, F3.
Smith, Roberta. "A Philip Guston Decade Colored by Red and Pink." New York Times, April 28, 1995, section C, p. 32.
Dagen, Philippe. "Philip Guston aux Sables-d'Olonne: l'abstraction aller et retour." Le Monde (Paris), July 4, 1995.
Cotter, Holland. "A Painter Who Collaborated with Poets." The New York Times, July 7, 1995, p. C12.
Chabot, Marie-Gaëlle. "Guston reconnu aux Sables." Presse Océan (Nantes), July 24, 1995.
Lebovici, Elisabeth. "Guston, dessins sur un champ de mines. De clous en débris, l'univers ubuesque du peintre américain mort en 1980. Philip Guston, oeuvres sur papier 1975-1980, musée de l'abbaye Sainte-Croix, rue de Verdun, 85000 Les Sables-d'Olonne, jusqu'au 30 septembre; catalogue." Liberation, August 17, 1995, section Critique.
J., R. "L'étrangeté inquiétante des choses." Ouest France, August 18, 1995.
Patterson, Tom. "Exhibit at Reynolda House explores the development of modernism." Winston-Salem Journal, January 21, 1996, p. E4.
Kilian, Michael. "Bi-Coastal Debuts: Cartoons in Boca Raton, Contemporary Artt in San Diego." Chicago Tribune, March 10, 1996.
Kimmelman, Michael. "The Abstract Expressionist of Music." The New York Times, July 28, 1996, section 2 Arts & Leisure, p. 28.
Grant, Daniel. "The tricky art of authentication Truth: Sometimes, only the artist or his or her family knows for sure whether a work is the real thing." Baltimore Sun, September 29, 1996. Online.
Kimmelman, Michael. "Philip Guston: Paintings from the 70s." The New York Times, October 11, 1996, p. C32.
Wolff, Detlef. "Die Freiräume der letzten Schaffensjahre." Weser Kurier (Bremen), October 19, 1996.
Komm, Sabine. "Maler brechen mit Sehgewohnheiten." Oldenburger Nordwest-Zeitung (Oldenburg, DE), October 25, 1996.
Bremer Anzeiger (Bremen). "In vollkommener Freiheit..., Ausstellung um Picasso, Guston, Miro und de Kooning im Neuem Museum Weserburg." October 26, 1996.
Beßling, Rainer. "Völlig frei und for Themselves." Kreiszeitung (Stuhr-Weyer, DE), November 6, 1996.
Levin, Kim. "Art Short List: Philip Guston." Village Voice, November 12, 1996.
Luddemann, Stefan. "Die Avantgarde der Greise." Neue Osnabrucker Zeitung, November 18, 1996.
Iowa City Press-Citizen. "De Kooning Work Sells for $15 Million, Sets 1996 Record." November 21, 1996.