Klaster, Jan Bart, and W.O. Koenigs. Aanwinsten Nederlandse musea 1960–1990 verworven met steun van de Vereniging Rembrandt en het Prins Bernhard Fonds: een keuze uit deritg jaar. Amsterdam: Stedelijk Museum, 1990.
Schwartz, Sanford. Artists and Writers. New York: Yarrow Press, 1990.
Ross, Clifford. Abstract Expressionism: Creators and Critics. New York: Harry N. Abrams, 1990.
Paulson, Ronald. Figure and Abstraction in Contemporary Painting. New Brunswick: Rutgers University Press, 1990.
Anfam, David. Abstract Expressionism. London: Thames & Hudson, 1990.
Schjeldahl, Peter. The 7 Days Art Columns 1988-1990. Great Barrington, MA: The Figures, 1990.
Modern Art and Popular Culture: Readings in High and Low. Edited by Kirk Varnedoe and Adam Gopnik. New York: Harry N. Abrams, 1990.
Ashton, Dore. A Critical Study of Philip Guston. Berkeley: University of California Press, 1990.
Heartney, Eleanor, Anne Rorimer, and James Yood. The Refco Collection. Introduction by Judith Russi, organized by Adam Brooks, edited by Sue Taylor. Chicago: Refco Group, 1990.
Godfrey, Tony. Drawing Today: Draughtsmen in the Eighties. Oxford: Phaidon, 1990.
Mayer, Musa. Night Studio: A Memoir of Philip Guston by His Daughter. 1988. Reprint, New York: Penguin, 1990.
Coolidge, Clark. Baffling Means: Writings/Drawings by Clark Coolidge and Philip Guston. Stockbridge: O-blek Editions, 1991.
Sims, Patterson. Whitney Museum of American Art: Selected Works from the Permanent Collection. New York: Whitney Museum of American Art, 1991.
Wheeler, Daniel. Art Since Mid-Century: 1945 to the Present. New York: Vendome Press, 1991.
Mayer, Musa. Night Studio: A Memoir of Philip Guston. 1988. Reprint, London: Thames and Hudson, 1991.
Leet, Richard E. 25 Selections, American Art: Charles H. MacNider Museum. Mason City, IA: Charles H. MacNider Museum, 1991.
Steiner, Mary Ann, ed. The Saint Louis Art Museum Handbook of the Collections. St. Louis: Saint Louis Art Museum, 1991.
Hughes, Robert. The Shock of the New. Rev. ed. New York: Alfred A. Knopf, 1991.
Wood, James N., and Katharine C. Lee. Master Paintings in The Art Institute of Chicago. 2nd ed. Chicago: Art Institute of Chicago, 1991.
Schjeldahl, Peter. The Hydrogen Jukebox: Selected Writings of Peter Schjeldahl, 1978–1990. Berkeley: University of California Press, 1991.
Kingsley, April. The Turning Point: The Abstract Expressionists and the Transformation of American Art. New York: Simon & Schuster, 1992.
Lagerkatalog 1. Zurich: Apodoros Galerie, 1992.
L'Art des Etats-Unis. Paris: Citadelles and Mazenod, 1992.
Tate Report: Tate Gallery Biennial Report 1990–92. London: Tate Gallery, 1992.