1966
![Magazine (Print)](/assets/icons/icons_4-f0ebcbf17d7c9471f2e737db10433f1c4781f0c8b1b8a57bedd082aee92b5cd7.png)
Berkson, William. "Philip Guston: A New Emphasis: In These Canvases of the Sixties Doubt Itself Becomes a Form That Can Be Read as Natural Law." Arts Magazine, February 1966, pp. 15–18.
![Magazine (Print)](/assets/icons/icons_4-f0ebcbf17d7c9471f2e737db10433f1c4781f0c8b1b8a57bedd082aee92b5cd7.png)
Ashton, Dore. "An Evolution Illuminated: New York Commentary." Studio International, March 1966, pp. 112–13.
![Magazine (Print)](/assets/icons/icons_4-f0ebcbf17d7c9471f2e737db10433f1c4781f0c8b1b8a57bedd082aee92b5cd7.png)
Ashton, Dore. "Art." Arts & Architecture, April 1966.
![Magazine (Print)](/assets/icons/icons_4-f0ebcbf17d7c9471f2e737db10433f1c4781f0c8b1b8a57bedd082aee92b5cd7.png)
Benedikt, Michael. "New York Letter (Abstract Expressionism and After)." Art International, April 20, 1966, pp. 79–80.
![Magazine (Print)](/assets/icons/icons_4-f0ebcbf17d7c9471f2e737db10433f1c4781f0c8b1b8a57bedd082aee92b5cd7.png)
Hirsch, Richard. "Private Affinities and Public Uses: The Michener Collection." Arts Magazine, May 1966.