Catalogue Raisonné
D690016
Charcoal on paper
18 x 14½ in.
45.7 x 36.8 cm
Signed and dated front lower left: Philip Guston '69
- Provenance
- Promised gift of Musa Guston Mayer to The Metropolitan Museum of Art
- Exhibitions
- The Metropolitan Museum of Art, New York, NY, "Philip Guston Drawings 1938-1972", July 11, 1973 - September 04, 1973
- The Museum of Modern Art, New York, NY, "The Drawings of Philip Guston", September 07, 1988 - November 01, 1988 Travelled to:
- Modern Art Museum of Fort Worth, Fort Worth, TX, "Philip Guston Retrospective", March 30, 2003 - June 08, 2003 Travelled to:
- Bibliography
- Ashton, Dore. Yes, but... A Critical Study of Philip Guston. New York: Viking, 1976, illus. in b&w p. 162
- Dabrowski, Magdalena. The Drawings of Philip Guston. Exh. cat. New York: The Museum of Modern Art, 1988, cat. no. 85 illus. in b&w p. 114 and mentioned in text p. 33
- Mayer, Musa. "Philip Guston and the Privilege of Writing Badly." Columbia: A Journal of Literature and Art, no. 13 (1988): pp. 1–4, illus. in color on front cover and mentioned in text p. 3
- Kingsley, April. "Drawings of Philip Guston. Amsterdam." Burlington Magazine, January 1989, p. 59–60, mentioned in text p. 60, not illus.
- Philip Guston, Opere Su Carta 1933–1980. Exh. cat. Milan: Electa, 1989, cat. no. 69, illus. in b&w p. 93
- Dabrowski, Magdalena. Dibuixos Philip Guston. Exh. cat. Barcelona: Fundacio Caixa de Pensions, 1989, cat. no. 85 illus. in b&w p. 134
- Ashton, Dore. A Critical Study of Philip Guston. Berkeley: University of California Press, 1990, illus. in b&w p. 162
- Moos, Dr. David. Sorel Etrog: Human Traces. Oakville: Mosaic Press, 1995,
- Ottinger, Didier. La Trahison de Philip Guston. Paris: L'Echoppe, 2000, illus. in b&w p. 19
- Weber, Joanna, Harry Cooper, and Laura Greengold. Philip Guston A New Alphabet: The Late Transition. Exh. cat. New Haven: Yale University Art Gallery, 2000, illus. in b&w Fig. 13, p. 23 and on back cover
- Cooper, Harry. "Recognizing Guston (In Four Slips)." October 99 (2002): pp. 96–129, mentioned in text p. 99, not illus.
- USA Today (West Babylon, NY). "Philip Guston: Abstract Expressionism's Provocative Pioneer and Ultimate Critic." November 1, 2003, mentioned in text
- Auping, Michael. Modern Art Museum of Fort Worth, Philip Guston Retrospective. Exh. cat. London: Thames & Hudson, 2003, illus. in color Plate 75, unpaginated
- Mayer, Musa. "Philip Guston and the Privilege of Writing Badly." Columbia: A Journal of Literature and Art, no. 40 (2004): pp.173–76, mentioned in text p. 175, not illus.
- Zaller, Robert. "The Abandoned Studio: Philip Guston's Gnostic Testament." Boulevard 20, no. 2-3 (2005): pp. 100–18, mentioned in text p. 107, not illus.
- Slifkin, Robert. Out of Time: Philip Guston and the Refiguration of Postwar American Art. Berkeley: University of California Press, 2013, illus. in b&w fig. 27 p. 58
- Sylvester, David. Ein Gespräch mit Philip Guston. NichtSoKleineBibliothek 8. Bern: Piet Meyer Verlag, 2013, illus. in color p. 61, illus. no. 19
- Gieskes, Mette. "I is an Other: Philip Guston's Imagined Incarnations of God and Klansmen." In Example or Alter Ego? Aspects of the Portrait Historie in Western Art from Antiquity to the Present. Edited by Volker Manuth, Rudie van Leeuwen, and Jos Koldeweij. Turnhout: Brepols, 2016, mentioned in text p. 295, not illus.
- Philip Guston: Nixon Drawings 1971 & 1975. Exh. cat. Essays by Musa Mayer and Debra Bricker-Balken. Zurich: Hauser & Wirth, 2017, illus. in color Fig. 7 p. 194
- Bundy, Jean. "Interpreting Racism through the Exhibition 'Philip Guston Now'." Anchorage Press, October 26, 2020. Online, illus. in color
